2024: Reediting Black.Light
authors
Susana Moreira Marques (PT)
Marko Dinić (RS)
Joshua Craze (US)
Pedro […]
authors
Susana Moreira Marques (PT)
Marko Dinić (RS)
Joshua Craze (US)
Pedro […]
writer
Ines John was born in 1977 in Brandenburg, Germany. She […]
“Your Story! Geschichten von Flucht und Migration”
vom 13. Mai bis […]
„Kriegspassage 1“ – 38. Erlanger Poetenfest 2018
vom 23. bis 27. […]
illustrator
was born in Zagreb, Croatia in 1966. Žeželj studied classical […]
illustrator
illustrator
was born in Beaumont, United States in 1960. He studied […]
illustrator
was born in Brussels, Belgium in 1969. Van Hasselt teaches […]
illustrator
was born in Feuchtwangen, Germany in 1963. He studied Illustration […]
illustrator
was born in Nantes, France in 1975. When he was […]
illustrator
was born in Giessen, Germany in 1975. He studied Cinematography […]
public relations & exhibition
was born in Hannover, Germany in 1980. […]
coordination, USA & Africa
was born in Portland, Oregon, USA in […]
writer
was born in Cernache do Bonjadrin, Portugal in 1968. After […]
layout, design, website
was born in Varel, Germany in 1965. He […]
photographer
was born in Hannover, Germany in 1964. He studied mathematics […]
Srebreniza, Ruanda, Monrovia … in der schwarzen Nacht eines Jahrhunderts der Völkermorde, wie Susan Sonntag unsere Zeit genannt hat, berichten Journalisten von Krieg und Gewalt. Pedro Rosa Mendes (Text) und Wolf Böwig (Foto), haben gemeinsam an den Schauplätzen der westafrikanischen Bürgerkriege des Charles Taylor als Reporter gearbeitet. Verdammt zur passiven Zeugenschaft, drängen sich ihnen elementare Fragen auf: Wo liegen die Grenzen des Verstehens? Wie von Krieg und Gewalt berichten ohne abzustumpfen? Wie angesichts alptraumartiger Massaker ein Mensch bleiben?
When hatred whorls across a continent, it envelops people, daily life, it cuts off limbs, flattens villages, burns down buildings, and pushes hard against hope, belief. It is difficult to imagine the degree to which the world can turn upside down, and most of the time those of us not amidst or recovering from such destruction, don’t. We should. Not because it’s pleasant. Not because it’s easy or righteous. But because it’s the truth.
One long analysis on reporting […]
“The only hope for Liberia […]