Marko Dinić
writer
born 1988, Austria
„[…] aligning the community with imaginary problems […]
writer
born 1988, Austria
„[…] aligning the community with imaginary problems […]
illustrator & comic artist
born 1978, Germany
„There’s always a human […]
writer & journalist
born 1976, Portugal
„There are things that one […]
historian
born 1969, Germany
Habbo Knoch studied history, philosophy, political science […]
Journalist & Author
born 1982, England
“On the way to Wau, […]
authors
Susana Moreira Marques (PT)
Marko Dinić (RS)
Joshua Craze (US)
Pedro […]
writer
born 1977, Germany
Ines John studied political science, history and sociology […]
“Your Story! Geschichten von Flucht und Migration”
vom 13. Mai bis […]
„Kriegspassage 1“ – 38. Erlanger Poetenfest 2018
vom 23. bis 27. […]
Illustrator & graphic novel author
born 1966, Croatia.
„There is often […]
illustrator, comic author & musician
born 1966, Italy
Stefano Ricci resembles […]
Illustrator, Photographer & Filmmaker
born 1960, USA.
„I wish artists had […]
Illustrator
born 1969, Belgium
Thierry Van Hasselt is a Belgian artist […]
illustrator
born 1963, Germany
Dieter Jüdt studied illustration and book design […]
illustrator & comic book author
born 1975, France
Benjamin Flao is […]
Illustrator & Graphic Novelist
born 1975, Germany
„For the Blacklight project, […]
Journalist & Writer
born 1968, Portugal
“That’s what it’s about: people […]
Layout, Design & Website
born 1965, Germany
„The greatest possible freedom […]
Photographer & Initiator of Blacklight
born 1964, Germany
“The worst thing […]
Srebreniza, Ruanda, Monrovia … in der schwarzen Nacht eines Jahrhunderts der Völkermorde, wie Susan Sonntag unsere Zeit genannt hat, berichten Journalisten von Krieg und Gewalt. Pedro Rosa Mendes (Text) und Wolf Böwig (Foto), haben gemeinsam an den Schauplätzen der westafrikanischen Bürgerkriege des Charles Taylor als Reporter gearbeitet. Verdammt zur passiven Zeugenschaft, drängen sich ihnen elementare Fragen auf: Wo liegen die Grenzen des Verstehens? Wie von Krieg und Gewalt berichten ohne abzustumpfen? Wie angesichts alptraumartiger Massaker ein Mensch bleiben?